Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

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Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

Communist Highlights in Prague and the Czech Republic

Czechoslovakia had existed as an independent state since the end of WWI and the dissolution of the Austrian Empire. However, this small yet economically advanced province was soon to be caught right in the middle of a storm which insisted on central Europe until the 1990s, at which time this country finally gained its true independence.

Back in the Thirties, Czechoslovakia was forcibly annexed to the Third Reich as a result of the Munich Agreement in 1938. This event can be seen a major destabilizing step in Hitler’s foreign relations, clearly showing that the situation was deteriorating fast in central Europe.

Following the troublesome years of Nazi rule, this region was captured by Soviet and US troops at the end of the war. A new republic was founded, but the local communist party was very well organized, so Czechoslovakia shared the destiny of many neighbor countries which had been occupied by the Red Army in the final stage of the war. Backed by Stalin, a communist coup d’état in 1948 led to the establishment of a Soviet-style dictatorship, which was to last until 1989, making Czechoslovakia a Soviet satellite country.

Despite the relatively small size on the map, Czechoslovakia played a significant role in the economy of the Eastern Bloc. This country had a well established tradition in the production of weapons, metal hardware and machinery. Its soil is rich in Uranium. Furthermore, the forward position on the border with non-communist Western Germany and Austria further raised its strategic significance. When a secession from Moscow was tried by the local communist government, led by reformer Alexander Dubcek in 1968 – a phase known as the ‘Prague Spring’ -, the USSR reacted with all its military might, staging a full-scale invasion of the country by land and air, overturning the high ranks of the unreliable Czechoslovakian government, and putting this valuable region under a stricter communist leadership.

Clearly, the end of the communist dictatorship is today duly celebrated as a historical achievement both in the Czech Republic and Slovakia – respectively the western and eastern portions of Czechoslovakia, which peacefully split in 1993. The more than 40 years of struggle against Soviet rule constitute the theme of several interesting permanent exhibitions, but these are not the only witnesses of those troubled times. More tangible relics – all open to the public – are former border posts with former West Germany, a one-of-a-kind original communist prison camp for political prisoners, as well as some pieces of architectures and bunkers from the Cold War age.

This post is dedicated to these highlights, all to be found in the region between Prague and the border with Bavaria, in todays Czech Republic. Photographs were collected on a short trip in summer 2018.

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Sights

Museum of Communism, Prague

Far from a cheesy description of everyday life in the years of the Cold War, or an inaccurate account of the history of the communist plague as a social phenomenon, this permanent exhibition takes you in detail along the history of Czechoslovakia in the years immediately before WWII, when it basically lost its independence to the Germans, and going on to 1989, when with the so-called Velvet Revolution Czechoslovakia abandoned the Soviet sphere of influence and overthrew the communist dictatorship.

The exhibition features an equilibrated mixture of original artifacts – paintings, statues, memorabilia,… -, photographs, models, dioramas and explicative panels.

Interestingly, speaking of the Thirties and the imposed annexation to the Third Reich, you can see models of the border forts along the former German (now Polish) border. These are covered in this dedicated post.

The history of the anti-fascist operations, and of the role of the communist party in them, are thoroughly analyzed, and so are the decisive years immediately following the war. It is recalled how this nation was partly invaded by US troops, hence it was contested as a pure-Soviet conquer. A short-lived free Czechoslovakian republic was founded, which fell under communist control, and in the years of Stalin, with a Soviet military presence in the country, this meant the end of any independence from the USSR.

Similar to East Berlin, Prague ended up to host a huge monument to Stalin. This was built on top of a hill facing the city, on the north bank of the river. It was suddenly blown after the death of the Soviet dictator, leaving an empty esplanade which can be still seen today (see a section below).

The establishment of a communist rule since the start meant the implementation of brutal repressive measures, including prison camps for political opponents, which were largely employed as forced laborers all over the territory of the state, especially for mining activities. Preventive imprisonment, extorted confessions and executions were typical to the years of Stalin. Even the troops who had come in contact with the western Allies during the war were exonerated and imprisoned, to perfectly guarantee the stability of the communist leadership of the army. A detailed account of this little-know, large-scale repressive activity is documented also by means of reconstructed interrogation rooms, as well as spy gear used by the Czechoslovakian communist political police, the StB.

A related interesting chapter is that of the border shared with neighbor western countries. Similar to the German Democratic Republic (see this post), the border with West Germany and Austria was heavily guarded to stop those who wanted to flee the country. A fence of many kilometers was erected and modernized on more instances. A number of citizens were sent to prison or even lost their lives trying to escape to the West. More on this can be found today on the border with Germany (see a section below).

A significant area is devoted to the wannabe-reformer Alexander Dubcek and the 1968 ‘Prague Spring’. The aggressive Soviet reaction to the experiment, backed by the new Brezhnev leadership, provided an example for other Soviet satellite countries seeking for independence. The invasion of Czechoslovakia, called ‘Operation Danube’, was carried out as a surprise attack, paralyzing all urban infrastructures by quickly landing troops and material with a well-organized airlift on the nation’s major civil airports, including Prague and Brno. Simultaneously, land troops of many countries of the Eastern Bloc crossed the border and rapidly occupied all military installations. Guerrilla actions took place especially in Prague, but it was soon clear that an action so massive could not be counteracted by the sole Czechoslovakian forces.

The Soviet aggression cleared any doubt about the attitude of the new leadership of the USSR. It was generally condemned even by the communist parties of the western world, but this was not helpful for Czechoslovakia, which could not overthrow the re-established Soviet-style dictatorship until the almost simultaneous collapse of the communist regimes bound to the USSR in 1989.

Getting there and moving around

This museum is an excellent resource and a starting point for gaining an insight on the history of Czechoslovakia from the late 1930s to the 1990s. A general knowledge of the Cold War history may help to better collocate the facts reported in the exhibition on the world stage, yet even if this is the first museum of the kind you may visit, it can be extremely interesting.

It is located in central Prague, perfectly accessible with a walk in the beautiful central district from the majority of the hotels. Visiting may easily take 2 hours for an interested subject. All panels and captions are in double language, Czech and English. Website with full information here.

Nuclear Bunker for Civil Defense, Prague

Following the escalation of the nuclear stockpiles in the US and USSR, countermeasures to resist a nuclear attack were implemented in many countries. Besides specific training for both troops and civilians, shelters were built for government agencies, and for the population of most crowded areas. While typically far from sufficient to save even a minimal part of the population in case of a nuclear attack, these structures were nonetheless rather extensive and sophisticated. Especially in central Europe, within reach of nuclear missiles from the start of the rocket age (see this post), nuclear bunkers for civil defense were serious structures, today standing as tangible witnesses of the Cold War (see this post).

In Prague, the system for civil defense was implemented in the form of a series of bunkers around the city center, started in the early 1950s. Over the following decades a network was created comprising the underground railway system and several metro stops, which  similar to West Berlin, could be turned into nuclear bunkers providing shelter, decontamination gear and supplies for hundreds of people for several weeks.

Of this comprehensive system only a small part can be visited today. The bunker in the Parukarka district, northeast of the city center, can be accessed from a distinctive concrete gate – today covered in ignorant graffiti – in the side of a hill. Right behind the external gate you can find a massive tight door, capable of resisting to a nuclear blast, and providing access to a stair well, leading deep underground.

From the bottom of the stairs, you are led through a network of tunnels, originally intended for storing supplies and as living quarters for refugees.

The toilet is still operative today. An emergency room with original medical tools has been reconstructed.

An interesting exhibition showcases a beautiful collection of gas masks, dosimeters, posters with emergency survival procedures and propaganda items.

A room where the main tunnel splits in multiple branches gives access to a decontamination facility, a security communication post, and an area where a small exhibition on the Cold War has been placed.

The latter includes sample mass-produced goods originally stored in the bunker, maps, and full nuclear and chemical protection suits and masks.

You can also try putting on a mask, and take up a rifle for a weird selfie!

Getting there and moving around

The bunker can be reached a few tram stops from the main railway station. The entrance is located next to the southwestern corner of Parukarka park on Prokopova alley, a block away from Hotel Olsanka. However, the gate is usually closed, and there is no booth or visitor center there. The bunker can be visited by appointment only, or on a regular basis by taking the special-themed communist tour of Prague (see website here). The latter was my option. This tour is offered in English and maybe other languages, and will take you on a walk to a few places usually portrayed in the historical pictures from the days of ‘Operation Danube’ of 1968, and during the Velvet Revolution of 1989. The starting point is close to the Clock Tower, on the central square of historical Prague.

The highlight of the multi-hour tour is the civil defense bunker, which makes the tour appealing. For the rest, except for little information, the tour is not excessively interesting, especially if you have already a good knowledge of the history of the Cold War and of Czechoslovakia at that time. It may the depend on the guide – mine was a relatively young man, who albeit prepared, did not seem to be able to give answers to more detailed or technical questions. Furthermore, the time spent inside the bunker is limited, and very scant explanations are provided about the exhibitions and artifacts on display there. Time is not enough for good photographs. The website of the bunker, for more info or for booking a private visit, is here.

Soviet-Related Buildings and Monuments, Prague

A few buildings in Prague have a historical significance bound to the Cold War, either for the role they had in the years of the communist dictatorship, or for the fact they were erected in Soviet style.

A first example is the headquarter of the StB, the political police of Czechoslovakia, similar to the KGB, Stasi or Securitate of other communist countries. This is located in central Prague, and occupies a building which had been previously built for another purpose.

To the northwest of the historical district, on the northern bank of the river, you can find a prominent example of Soviet architecture – Hotel International. This was designed in the years of Stalin, and this is reflected in the typical Stalinist tower architecture (see this post). It had been intended as a building of the department of defense, to host high-ranking military staff. It never covered this role, and after the construction years, lasting 1952-1956, it was inaugurated as a luxury hotel, with the same name it bears today.

After the end of communism in Europe, the hotel has been refurbished, returning the exteriors to the original appearance. The star on top the central spire is original too. The frieze features hammers and sickles, as well as other examples of typical communist iconography.

Today a rather unapparent square with a nice view of the old city, the base of the monument to Stalin with the giant staircases leading to it from the water level can be found on the northern bank of the river. This area is today partly degraded, and used for temporary art installations. Only pictures from the time allow to get an idea of the monster size of the sculpture group once standing there, with Stalin and other folks overlooking the city.

The monument was blown after Stalin was condemned by the Communist Party of the USSR, soon after his death.

Among the relatively few statues and prominent buildings dating back to the years of communist dictatorship is a couple of cosmonauts. This can be found in the southern periphery of the city, immediately out of the metro station Haje. The neighborhood is mainly residential, dating from Soviet times. Notwithstanding the general decency of the area, these two astronauts are somewhat forgotten, close to an overgrown hedge.

Getting there and moving around

The mentioned communist architectural highlights in Prague are somewhat scattered.

The StB headquarters are located on the corner between Bartolomějská Ulice and Na Perstyne, at the very center of the historical district. The former Stalin monument can be reached climbing uphill from the northern end of Chechuv Most bridge, a short walk from the historical district. Besides the questionable interest for what remains of the monument, climbing up is advisable at least for the exceptional view you can enjoy from the balcony.

The Hotel International is located further north of the city center, where Koulova alley meets Cinska road. The nice residential area is served by a number of tram and bus stops, but reaching may be easier by car. Clearly, you can also elect to stay at the hotel.

The two cosmonauts can be found in the southern peripheral district Haje, just outside of the homonym metro stop, close to a larger bus stop area. Again, reaching is less time consuming by car.

Vojna Prison Camp, Pribram

A one-of-a-kind memorial in the panorama of former communist-led countries is preserved just south of the small town of Pribram, about 40 miles southwest of Prague. This is a full scale prison camp for forced laborers, instituted by the communist dictatorship in the years of Stalin, back in 1947. The prisoners of this camp were interned only for political reasons. Together with other similar installations, it supplied workforce for the extraction of uranium ore from mines nearby. The number of inmates increased steadily until the early 1960s, reaching the order of 1,500, until a series of amnesties were promulgated and prison camps were closed in Czechoslovakia.

The camp went on to be operated as a military depot, and reopened as a national memorial in the late 1990s.

Close to the entrance, which is via the original gate in the outer fence of the camp, a former industrial building has been substituted by a modern building with roughly the same shape, hosting a conference center and the visitor center. When on a self-guided tour, you are advised to start your visit with an exhibition on the history of the Czechoslovakian prison camps, hosted in the former guard quarters. The exhibition provides models, pictures and quick numbers to get an idea of the proportion of the repression and internment of political prisoners, as well as of the forced labor system set up by the communist leadership.

A memorial to those who perished as a result of political repression and imprisonment in the area of Pribram concludes this part.

The partly original and partly reconstructed buildings on display include a complete external perimeter, a prison and a rigor cell.

Inside an inner guarded perimeter, a few barracks for the inmates have been reconstructed or refurbished, and are used to showcase temporary and permanent exhibitions. One of great interest at the time of my visit described in detail the days of the liberation from the Nazi occupation – US troops briefly took over control of the area, and they met the Soviet army nearby Pribram.

There are also service buildings for the guards, with a small movie theater and a canteen.

Another interesting part is the original emergency room and clinic. The face of Stalin in the doctor’s room is particularly disturbing. Besides the generally harsh living conditions, illnesses and injuries typical to mine works were rather common. Inexperience of the forced laborers clearly added to the injury rates.

In a building to the far end of the camp you can find an exhibition about mining activities in the area and uranium extraction in Czechoslovakia, which represented an asset of this country in the eyes of the USSR.

Getting there and moving around

The prison camp is opened as a national memorial. It can be reached by car along highway N.4 in 30 minutes from central Prague in the small village of Lesetice, immediately south of Pribram. There are opening times, but you can visit either on a self-guided basis or with a guide. I was not given the option of a guided tour in English though, so I enjoyed a self-guided tour. There is some paneling in English, but not extensively covering all parts of the installation. Access to the rigor cell is only possible with a guide, but you may join a guided tour only for that small part of the exhibition, just to get access.

A complete visit on a self-guided basis may take about 1.5 hours for the interested subject, including time for taking all the pictures.

Please note they accept only cash. Website in English with full information here.

Iron Curtain Museum, Rozvadov

This atypical museum is located right on the border with Germany, between the Czech village of Rozvadov and the German town of Frankenreuth, Bavaria. Back in the years of the Cold War, the highway E50 today crossing the border nearby did not exist, and this border post was a major checkpoint on the line between the Eastern Bloc and the West.

The museum is deceptively located in the basement of the gas station immediately cross the border on the Czech side. The gas station itself used to be the custom and border control station, as you can see from historical pictures inside the museum.

The museum is constituted of a collection of photographs and artifacts. The exhibits cover roughly two themes – communism in Czechoslovakia and the Cold War as a global confrontation.

Red banners, small sculptures, photographs and propaganda posters have been collected from various locations in Czechoslovakia. These include official portraits of the communist presidents of Czechoslovakia, and memorabilia belonging to their offices.

A good collection of weapons and communication gear belonging to border guards and local troops of both sides of the Iron Curtain is also on display. Communist-themed commemorative medals and dinnerware are part of the collection.

The part on the global confrontation is smaller, and include photographs from sister museums in other countries including the US, a small documentation on the history of nuclear tests and the nuclear stockpiles in the Cold War period.

On the outside, a few vehicles of the former border guards can be found (no pictures due to heavy rain).

Getting there and moving around

This nice small museum is surely worth visiting for the interested subject, even though it does not concentrate much on the history of the local border post. The website in Czech language can be found here, basic visiting info can be easily found with some Google translation. It can be reached by car on the road connecting Frankenreuth, Bavaria, and Rozvadov, immediately cross the border on the Czech side. Signs to the entrance can be found around the local gas station. Entry is behind the building of the gas station. Visiting on a self-guided basis will not take more than 45 minutes for the interested subject.

Please note that they accept only cash.

Museum of the Border Guard, Rozvadov

This museum is actually a preserved former barrack of the border guards. Not only it looks like the building is still being operated, it actually is, albeit only for reunions of the former guards and local ranger corps, which today keep it open.

Thanks to this special condition, the place is very vivid and makes for an extremely interesting visit. Besides the sleeping quarters, you can find a series of rooms with rifles and technical material, including radio and communication equipment.

If you are lucky, the guide will give you a demonstration of how parts of this technical gear work.

A former class room/meeting room hosts a reconstruction of the fences which used to run all along the border with West Germany and Austria. The level of control was totally similar to the one implemented between the two German Republics (see this post). In the same room there is a small collection of weapons you can touch.

In a room close by the entrance a sentinel was always keeping the assigned sector of the border under control. The various protective layers prevented anybody from escaping the communist territory. Besides watchtowers along the border line, when touched the innermost fence triggered an alarm in the sentinel’s room. This appeared as a mark on a specially designed detector, which could tell with good approximation where the fugitive was trying to cross the border. This would trigger the other guards, who would scramble out and seek for him. This sophisticated piece of machinery was manufactured in the GDR…

Getting there and moving around

Reaching the place can be tricky, for there are no signs leading to it. From the road 605 in Rozvadov, follow the indications to Casino Admiral. This is located on a road climbing gently uphill from the 605. Going further on the same road, you will reach a dead-end, and a group of shabby barracks after about .3 miles. These must have been all service buildings and barracks for the border guards. One of the barracks is the museum. The exact GPS coordinates are (49.673994, 12.545367).

Information on the opening times can be found from the website of the town administration (on the right hand side of the web page).

Opening times are extremely limited. You are followed on your visit by one of the guards, some of them can speak a little English, sufficient for making the visit extremely interesting. There is no institutional ticket, but they will ask for a voluntary cash offer. Visiting may take about 30-40 minutes.

Communist Relics in Bucharest

Most travel agencies selling trips to Romania agree on the fact that Bucharest is surely not the best this big Country in the easternmost part of Europe has to offer in terms of archaeological or historical significance, nature or art.

Actually the town, originally founded in the 15th century, is today mostly made of modern buildings – meaning it was extensively redesigned and rebuilt in the 1980s. This happened as a result of a huge earthquake in 1977, killing thousands in Bucharest and destroying or damaging many buildings. The earthquake, and the will of the most famous Romanian communist dictator Nicolae Ceausescu, triggered the realization of an incredible architectural master plan, centered on the huge House of the Republic – the second largest building in the world after the Pentagon – which in turn called for the demolition of a good 30% of the existing buildings in Bucharest, including churches and many historical highlights.

This conspicuous palace stands out as one of the world’s most imposing examples of communist architecture, thus making for an interesting destination for those interested in the ‘heritage of Communism’ in Europe. Well, the Palace of the Parliament – as it is called today – is so imposing that everybody coming to Bucharest will probably spot it and pay a visit.

But Bucharest has more to offer for those interested in the traces of the luckily bygone era of communist leadership.

Opened to the public in 2016, the private residence of Nicolae Ceausescu and his wife Helena, both executed on Christmas day in 1989 during the quick but very violent revolution which led to the end of communism in Romania, can be fully visited today as a museum. Built soon after Ceausescu took control of the already established communist regime in 1965, it is an interesting example of eclectic architecture from the 1960s, designed by the Israeli architect Aron Grimberg-Solari. All the original furniture is on display, and many items belonging to the most hated couple in Romanian history can be admired as well.

As usual in communist Countries in Europe, before 1989 the National Military Museum received much attention, growing up to host a collection of weapons, tanks and aircraft of considerable size. The place, located close to central Bucharest, is surely worth a visit especially for those looking for unusual Soviet weaponry!

Another easy-to-find communist-themed site is the Palace of the Free Press, the only imposing building in Stalinist style in Bucharest, built in the early 1950s for the propaganda-press. A big statue of Lenin used to seat prominently ahead of the façade. It was removed in 1990, to celebrate the end of the dictatorship. Many emblems of communism – hammers, sickles and stars – decorate the walls of this now mostly unused relic.

Finally, the very central palace of the Ministry of Internal Affairs, which since the 1950s until 1989 was occupied by the Romanian Communist Party, is a distinctive example of rationalist architecture from the late 1930s, with much to tell about Cold War history. It was from a balcony of this palace that Nicolae Ceausescu gave his famous last speech, just days before he was arrested and shot (see this post).

This post is about all these sights. Photographs were taken in June 2017.

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Sights

House of the Republic – now Palace of the Parliament

No words can describe the size and bulkiness of this building. Together with the Bulevardul Unirii – the boulevard leading to the front façade – with its residential and ancillary office buildings clustered around the palace, each the size of a big shopping mall,  the ensemble is really unique even for the usual pomp of communist Countries. Everything here was built in the 1980s on the design of the young Anca Petrescu, who at that time was in her thirties.

From the boulevard to the square ahead of the façade you can easily spend some time trying to find a good way to photograph this building.

The façade is not flat, and this makes it not excessively imposing inspite of the real width and height. Furthermore, a terraced garden, gently ascending from the street level to that of the front entrance above, somewhat reduces the perceived height of the building.

Access for the public is from the northern side. From there the palace is possibly more imposing, for the façade comes down abruptly to the street level, differently from the front.

The inside is by far the least convincing part of the design. Here you clearly perceive the ‘megalomaniac’ attitude of the Ceausescu, who asked for a building with more than 600 rooms, for which no realistic function could be imagined at that time – nor can be guessed today. You can see a succession of halls in diverse styles, some of which may find a place in an old railway station, some in a congress center, others in a luxury hotel, some in Buckingham Palace, a few in a church, and so on… A collection of stately rooms, some of them really immense, all lacking any focal point – a throne, a dinner table, a work of art. As a matter of fact, this severely oversized building is used today only for a minimal part as a governmental building. Most of the rooms are used for congresses, marriages, company meetings and international summits. But you clearly feel the place is basically uninhabited, and except for the crowds of tourists, mostly unused.

As a part of the tour you can get access to the balcony on the front façade, from which you can enjoy a nice view of the city, and in particular of the perspective created by the boulevard ahead of the palace.

All in all, in my view this palace is much more interesting from the outside, where you can appreciate the size and good proportion of the master plan, and the interesting particulars of the late-classicist communist style. The inside is where you perceive most the unsuitability of the palace for any practical function. You may be stricken by the number and proportion of the rooms and the plenty of high quality materials used for construction and decoration, but you may also get bored soon by the endless sequence of unused – and unusable – halls, corridors and flights of stairs.

Getting there and moving around

For a western tourist taxi is the most efficient and cost-effective way for moving around in Bucharest. Depending on where you are taken first – the north entrance or the front façade – you may choose to take a walk around the building, or a part of it, before or after your tour of the inside. Visiting inside is only possible through a guided tour. Reservation is totally recommended, for this is probably the most visited attraction in town. Furthermore, if you are put in a waiting list you may be forced to stay close to the ticket office in the basement for more than you might want, with nothing to see and do. You can make a reservation through their website or ask your hotel to do it for you. A day in advance may be enough, for entries are at high frequency. Security with metal detector is part of the treatment. For taking pictures inside you need to buy a permit at a small fee. The visit inside takes really long – more than an hour – and it may turn out very boring especially for children, for there are no ‘highlights’ inside.

Palatul Primaverii – The Private Residence of the Ceausescu in Bucharest

The name of the residence translates into ‘Spring Palace’. It was built in the mid-1960s when Nicolae Ceausescu came to power. It was intended from the beginning as a private residence for the dictator, his wife and their three children. Differently from the Palace of the Republic, it is not absurdly sized especially for todays standard, about the size of an average Hollywood villa.

From a historical standpoint this place is very interesting, for as an official residence of the president of Romania, it hosted meetings with leaders and politicians of many foreign Countries, most notably Richard Nixon, the first American president to pay a state visit to Romania. Furthermore, this house has a lot of typical ‘Cold War style’ features. It was not publicized at all inside Romania, where only a restricted group knew of its existence before the revolution in 1989-90. Coming close was made impossible by a guarded perimeter with a few checkpoints all around a large area of the town, where embassies and notable members of the Communist Party had their residences. Inside there are an underground bunker for protection and an access to a network of tunnels leading to the palace of the Central Committee of the Communist Party and other decision centers in Bucharest. The villa was taken during the revolution, but anything was left basically as it was – the intruders, who in 1989 were suffering from a famine plus from heat, electricity and water starvation, took away all the food.

The eclectic style of the building, integrally designed by the same architect, is also an interesting specimen of luxury architecture from the 1960s.

On the ground floor, the first rooms are the studio of the dictator, where most important meetings were held, with the walls covered with wooden panels. Then an ancillary room with a chess table, a central lobby with a fountain and stairs leading to the upper floor and to the basement, a large drawing room and a dining room can be visited close by. On the same floor are also the private rooms of one of the two sons of the Ceausescu couple. From the main drawing room it is possible to reach an inner garden with peacocks – not the original exemplars, but Nicolae loved these birds, which used to live here also before 1990.

In the basement it is possible to find a winery and a nice middle-ages-themed, count-Dracula-style canteen with a fireplace. A private movie theater seating about 30 is part of this area. The projectors in the back – Philips, not from the Eastern Bloc… – together with an archive of rare movies have been carefully cataloged, and are now part of the inventory, similarly to every item in the house.

Nicolae Ceausescu was born to a family of workers, and was a shoemaker in his youth. After he came to power he progressively adopted a more and more luxurious lifestyle, but he could never relinquish his very humble origins. The room he reportedly favored most in his fancy villa, and where he liked to spend most of the time, was a passage in the basement, with some simple chairs, a small table, and a very small light close to the roof. Some speculate this was the setting which mostly resembled the house he had lived in as a kid. Another explanation may be a secret armored door in this room, giving direct access to the bunker…

The bunker with a crisis room is where Ceausescu operated in the tumultuous days of December 1989. He finally decided to try to reestablish power with a speech which turned out to be his famous last public appearance, a few days before he was arrested and executed. Here was the entrance to the network of tunnels leading to other palaces in Bucharest – today it has been bricked up. A walk along a service corridor in the underground allows to have a glance to the many service rooms in this area – including a laundry, a room for an independent power supply system and much more.

Another strange ‘private passage’ is where a gallery of many portraits of the Ceausescu can be found, together with hunt trophies and hunt-related gifts from some African leaders and close friends of the Romanian dictator. Nicolae was reportedly not good as a hunter, but he liked to nourish the idea of being so, and he was often photographed with trophies he rarely caught himself. Paintings portraying the couple were already there when the Ceausescu used to live in the house.

In a wing on the top floor are the private rooms of the two other children of the Ceausescu.

In another wing are the apartments of Helena and Nicolae, with a bedroom, study, bathroom and dressing room for each of them.

The separate bedrooms were not used much, for they used to sleep in a common bedroom with a nice balcony and a view of the front garden.

There was also another common bathroom, lavishly decorated, which was reportedly used more often by the couple. The same is true for a smaller dressing room with wardrobes for both, which was typically used by the couple. Here and in the main wardrobe close by it is possible to find the many dresses belonging to the Ceausescu. The smell of old fabric here is really horrible, but the sight of their clothes adds much to the perception of this place as the ‘lion’s lair’.

In a third wing of the top floor it is possible to find possibly the most beautiful room of the house, which is basically a ‘garden-room’, with plants and a nice peacock-themed mosaic wall and fountain – a nice example of decoration from the 1960s.

Descending again to the ground floor you can continue your visit with the huge wellness area, with a sauna, Turkish bath, infra-red lamp, equipment for various wellness and beauty treatments – some of them were probably fancy in those years, but now they seem exotic and more like old-style medical stuff… There is also a barber shop.

Finally, the indoor swimming pool. This is very big and deep even for todays standard, and the zodiac-themed mosaic decoration of the walls is luminous and really gorgeous. There is direct access to the garden through a porch.

You can access the inner garden and reach the front entrance of the property walking along a nice covered passage.

All in all, this is possibly the site I liked most during my stay in Bucharest. I would surely recommend a visit for the great historical and architectural significance of the place. The place is very authentic, and you can perceive it distinctly from the many personal items scattered around the house and from the appearance of the rooms, which have come almost unaltered from the end of the 1980s.

Getting there and moving around

The Spring Palace is in the northeastern quarter of central Bucharest, in what is probably one of the nicest parts of the town, with high-level residential buildings, most of them built very recently, foreign embassies, well-kept parks and schools. If you are visiting the area of Parcul Herastrau or Parcul Bordei you may choose to come to the mansion with a nice walk. Otherwise the best way to come here is with the usual taxi. Visiting is possible only with a guide. You can opt for a regular group tour or a personal tour. The latter was my choice. You can book it in advance (one day in advance in my case) through their website. The guide was very kind and knowledgeable, and the 1.5 hour visit really interesting and full of details.

National Military Museum

This museum is composed of two main parts. The permanent exhibition in the main building covers the military history of Romania from the first settlements to the present day. For those with an interest for the complicated history of this Country, the relationship with the Ottoman and Russian Empires, the foundation of the Kingdom of Romania in the 19th century, its role in both World Wars and the advent of communism, this museum offers much valuable information. Little is said of what happened during and after the 1989 revolution. There are just scant signs in English, and the Soviet-style of the exhibition is a bit outdated. Anyway there is much stuff of interest to be checked up.

Outside to the back of this building it is possible to visit a rich collection of weapons, ranging in time, type and size. A conspicuous part is composed by cannons and howitzers, some of them mounted on railway trolleys.

There are of course more ancient cannons, from the 18th and early 19th centuries, stored very close to some torpedoes and naval mines.

A focal point of the exhibition is a 2P16 Soviet tactical missile system with movable launcher. Also on display there is what appears to be a version of a SCUD-A system in fully erected position.

On the outside there is also a collection of tanks, radio equipment, a Soviet SA-2 anti-aircraft missile and a MiG-15. Some of the cannons are ‘made in Germany’.

The ancillary buildings host a collection of uniforms, coaches and a small collection of aircraft and engines for aviation, including the reentry vehicle of the only Soyuz mission flown by a Romanian astronaut.

Taken alone, this outdoor collection is much interesting for everybody, and especially for the kids. I would recommend also a visit to the inside for more history-minded people.

Getting there and moving around

The museum is located less than a mile from the Palace of the Parliament. The neighborhood, while totally central and safe, is nothing special, so I suggest going there by taxi for saving time. Visiting of the entire complex may take 1-1.5 hours on a self-guided basis.

Casa Scinteii – now House of the Free Press

This is the only building designed in the style of Stalin’s classicism in Bucharest, and it looks like a cousin of the skyscrapers in Moscow and other similar towers in Europe (see this post). The name refers to ‘Scinteia’ – meaning ‘spark’ – the official propaganda newspaper of the Romanian Communist Party, which had its headquarter here. Ready by the mid-1950s, the building was placed at the end of a majestic perspective going from the triumphal arch through a park directly to the statue of Lenin – removed in 1990 – and to this building.

Today a nice modern monument has replaced Lenin, and the area, quickly reachable from the airport, is among the most sought after by international companies. Many new buildings have been built in the neighborhood, making the contrast with this partly abandoned Soviet relic even more striking.

From a distance the building looks imposing but well proportioned. At a closer look, it reveals its communist soul through many hammer and sickle insignia, together with some stars in the decoration.

Getting closer you realize that there are bushes on the roof, many shutters are stuck halfway down, the windows are covered in dust, everything indicating a state of partial disrepair. The building is probably looking for a new owner, but the excessive size and the inconvenient heritage it bears perhaps are making things more difficult.

Getting there and moving around

Located to the north of the city center, close to the expo and on the northwestern corner of Parcul Herastrau. You can reach the area with a pleasant walk from the triumphal arch of WWI (Arcul de Triumf) or through the park, or you can get directly to it with a taxi. The place is mainly closed and anyway not open to the public, but you can have a walk around freely.

Palace of the Ministry of Internal Affairs

This palace, completed in the early 1940s, hosted many institutions during its history, including the Central Committee of the Romanian Communist Party, with the executive office of the leader of the Party. It is located in the totally central Piata Revolutiei – Revolution Square – in front of the former royal palace, now hosting the museum of fine arts.

The place was the central stage of the revolution in late 1989. The balcony on the front façade of the building is where Nicolae and Helena Ceausescu tried a final move to regain control over the Romanian people. Here they faced the public for the last time, and for the first time they were openly contested. The video recordings of that historical moment, together with the similarly famous videos of the Berlin Wall torn down, stand out as vivid symbols of the end of the communist era in Europe.

What followed the last speech was a short period of confusion, with the armed forces and the revolutionary faction shooting in the streets. The Ceausescu fled the building by helicopter, only to be arrested the following day, rapidly put on trial and executed soon after. More than one thousand lost their lives struggling to definitively push dictatorship to an end. Vivid traces of the fight can be seen on the façade of this building, in the form of bullet holes above some of the windows.

Getting there and moving around

The place is totally central, and easy to reach by walk if you are staying in one of the many international hotels in central Bucharest. Visiting inside is not possible, but you can come very close to all sides of the palace.