JFK’s Last Trip to Fort Worth and Dallas

The murder of President Kennedy in Dallas on November 22nd, 1963 is possibly one of the most well-known news stories from the 20th century. Since then, most theories put forward by both the official prosecutors and wannabe investigators after the crime never appeared completely acceptable.

The main defendant, Lee Harvey Oswald, was shot dead by likely-mafia-affiliated Jack Ruby, two days after Kennedy had been shot. This happened before any court hearing of Oswald, who always protested his complete innocence.

But Oswald was spotted on the crime scene, and his life before that fatal day had not been normal in any respect. Grown up a very poor man from the New Orleans, he enlisted in the USMC, spent years in Japan, changed home at a high pace in the continental US, between New York and Louisiana, learned Russian, applied for Soviet citizenship, established himself in an fantastic flat in Minsk, Belarus (see this account about Minsk), at the height of the Cold War, married a lady from the USSR, moved back to the US with his wife and their baby, collaborated with  communist movements in America while living of nothing in the south of the Nation, appeared in Cuba and Mexico in the years of the Kennedy administration, and finally decided it was time to kill President Kennedy, accused by a part of the military and political establishment of being excessively left-leaning during his years at the White House.

Maybe this man materially acted alone on the day of the shooting – something strongly adversed by many eyewitnesses and even scientists and analysts, based on ballistics – but with a curriculum so pointed of oddities, especially for the geopolitical situation of the 1950s and early 1960s, it is hard to imagine he was not part of something bigger.

An excessive number of pretended coincidences in the reconstruction by the investigators have largely discredited the official theories, in turn creating a mystery around the actual crime.

As time is passing and people involved are disappearing, chance to find the truth about the intricate plot behind the assassination are waning. Yet this unsolved crime has fueled decades of controversy, with tens if not hundreds of books written, as well as TV series and blockbuster movies produced – and it is still an intriguing topic for many, who come to see the famous Dealey Plaza in Dallas, where the shooting took place, making the local museum in the Texas School Book Repository one of Texas’ five all-time most visited attractions.

Being in the exact place where the famous Zapruder movie was recorded produces of course a strong impression. Yet there are more places in Dallas and Fort Worth related to the famous last visit of JFK to this major industrial focus of the nation, which albeit less impressive than the actual crime scene, may be interesting to find and visit for the most committed visitors.

This post portrays some of the most famous and of the least known places connected with Kennedy fateful 1963 trip to Texas. Photographs were taken in summer 2018.

Map

This map reports the focal points of President Kennedy’s visit to Texas on November 21st-22nd, 1963.

Kennedy flew in and out Fort Worth from Carswell AFB (now NAS Fort Worth reserve base), arriving on November 21st, and departing in the morning of November 22nd to Dallas Love Field – a very short hop for Air Force One.

You can see places in Fort Worth and Dallas connected with both the actual and scheduled route of Kennedy’s visit (blue placeholders), plus the route of the motorcade from Love Field to Dealey Plaza and back (blue line), with a stop at Parkland Memorial Hospital, where JFK was pronounced dead at 1:00 pm, November 22nd.

Orange placeholders are locations connected with the shooting – where JFK was (surely) hit, famous spots on the crime scene, etc.

The movements of L.H. Oswald have been partly reconstructed by the prosecutors, where some have been ascertained based on sightings by witnesses. These are shown in yellow and red respectively on the map. Red placeholders show the location of Oswald sightings or places connected with his story.

Green placeholders show the positions of notable monuments connected with the assassination of President Kennedy.

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Sights

Sights are listed going along the time-line of the days of JFK’s visit.

Hotel Texas (now Hilton) & JFK Tribute, Fort Worth

President Kennedy spent the night between November 21st and 22nd in the Texas Hotel, located on Main Street in central Fort Worth. Today this nice, early 1920s building is still there, listed among historic landmarks. It has changed hands more times in the last decades, and is now run by Hilton, with the name Hilton Fort Worth. Built on the opposite side of the square where the convention center is located, it is still today a primary business hotel in town.

In the square ahead of the hotel is a monument dedicated to JFK, with a statue and citations. This was the location of the last public speech the President gave, before breakfast on November 22nd.

Later on that day, he held a scheduled speech in a hall of Hotel Texas, before going to Carswell AFB (now NAS Fort Worth), west of downtown, to board Air Force One to Dallas Love Field. Air Force Two soon followed.

Dealey Plaza, Dallas

Monuments in Dealey Plaza

The curious composition of white colonnades and pergola-shaped monuments in Dealey Plaza is the result of an architectural master plan for the area, completed in 1940.

Despite the weird aura that will enshroud the square for many years to come, the composition is actually very nice, with two opposing fountains ahead of the colonnades welcoming you when entering the square from Main Street. This is exactly what the motorcade did, turning right on Houston Street and first left on Elm street, where JFK was hit (see map).

The pergola on the ‘grassy knoll’

The northernmost part of the composition in Dealey Plaza is a curved white pergola, placed on top of a knoll, at an elevation of roughly 10 ft above the road. This is a vantage point for watching Elm street, which starts descending gently from Houston Street towards the railway triple underpass. It was here that Zapruder was standing, together with many eyewitnesses, shooting his now super-famous video (see map).

You can get a 360° view from close where Zapruder was standing from this video.

Here you see an example photo sequence of a car passing by along Elm Street, following the same route of the presidential motorcade.

A crowd was standing also on the southern side of Elm Street, at the level of the road, from where the pergola and the wooden fence on top of the grassy knoll can be seen very clearly. Looking uphill towards Houston Street, you can see the Texas School Book Repository, and the half-open window from were somebody fired at the motorcade.

‘X-marks’ on Elm Street

Two white X-marks have been painted on the ground where, based on official investigation and findings, President Kennedy was hit, while his motorcade was driving along Elm Street.

The first is located immediately after the crossing with Houston Street, where the motorcade turned left. The pictures below shows the window on the sixth floor of the book repository from the spot of the hit (actually behind a tree), and the wooden fence under the trees on top of the grassy knoll. The wooden fence has been indicated by many as the position of a second shooter, and some have sustained they saw shots coming from there.

Taking into account the elevation from the ground of the window on the sixth floor of the book repository, the total distance to this first X-mark is similar to that from the fence. Yet the trajectory of a shot from the fence would have come dangerously close to Zapruder and all folks between the knoll and the sidewalk.

The second X-mark, that of the fatal shot to the President’s head, is located further west. Looking from here again to the window on the sixth floor and to the fence, it is apparent that the latter spot would be a far easier point for shooting – very close -, while on the other hand recording a hit from the former would be a real challenge.

Close by the X-mark corresponding to the fatal shot, the National Historic Landmark placard of Dealey Plaza has been placed on the sidewalk.

You can get a clear impression of how fast everything must have happened watching this video of my car running along the route of the motorcade, from Main Street down to under the triple underpass.

The wooden fence on top of the ‘grassy knoll’

The fence on top of the grassy knoll divides the grass on the northern end of Dealey Plaza from a parking area on the side of the book repository. The elevation over Elm Street and the little distance from it, makes this place a good spot for targeting a car passing on the position of the second X-mark – that corresponding to the fatal shot.

To the back of the fence, the old railway switching tower from the 1910s played a part in the mystery. On the morning of the assassination, Lee Bowers was on service in the tower. He reported to the prosecutors that about 15 minutes before the shooting he had noticed a car slowly circling in the parking. At the time of the shooting two figures were standing by the fence, and he saw fire and smoke coming from their position. He provided details about the cars and an these men.

Lee Bowers died in a car crash without witnesses in summer 1966, when he gently launched his car out of the road while driving alone in the countryside somewhere near Midlothian, south of Dallas.

The triple underpass

This Art Deco railway bridge, dating from older times than the monuments in Dealey Plaza, is another good vantage point for a comprehensive sight of the stage of the assassination.

It has been supported that a witness standing on the grass south of Elm Street and close to the underpass was wounded by a fragment of the curb, produced by a bullet hit. This might have been a missed shot.

Texas School Book Repository & Sixth Floor Museum, Dallas

The building of the book repository, located on the northern side of the crossing between Houston and Elm, has been taken over by the city government for administrative functions. A museum has been opened on the sixth floor, from where shots were allegedly fired against the motorcade.

The museum is very modern. After paying by the entrance, you are given an audio-guide and you are directed to an elevator going up to the sixth floor.

You can walk along a nice exhibition mostly based on tons of photographs and reproductions of original documents, papers, agencies, documents, dossiers, and so on. Before showing the chronicle of events during the last trip of JFK and the events of the assassination, you are told about the general political and social situation in the years of Kennedy administration, so as to reconstruct the big picture and the meaning of this trip. There was much criticism about it, and you can see some unwelcoming headlines from newspapers, telling about a tense political situation in Texas. There are several videos playing loop.

Of course, an accurate reconstruction of the shooting is the main topic of the exhibition. Frames from the many videos recorded by the witnesses allow to have an almost second-by-second account of the last minute in the life of JFK.

Far less known than others are some pictures of the motorcade taken seconds after the shooting, when the cars accelerated under the triple underpass, with men of the secret service bent over the wounded President. Witnesses on the opposite side of the underpass had not noticed the shooting, and they were probably stunned watching the motorcade rushing away.

There is a dinner set from the scheduled luncheon Kennedy was heading to, prepared in the Dallas Trade Mart. A picture of the announcement of the assassination to the attendees of the luncheon waiting for the President is particularly striking. Detailed maps are displayed of the motorcade route, of the movements of L.H. Oswald, and of the emergency rooms of the Parkland Memorial Hospital where JFK, Vice President Johnson and Governor Connelly were given medical assistance.

A highlight of the museum is the area around the corner window from where shots were fired. An accurate reconstruction of the exact position of the boxes around the shooter’s position has been set up, based on photographs from the time.

Access to the window is interdicted, but you can get an idea of the view enjoyed from there from the third window from the corner.

Further items of interest include cameras and video recorders used by the witnesses, and a detailed map of the standpoints of most witnesses who made a video recording, or did take pictures.

An area of the exhibition is dedicated to Oswald, his arrest and his murder in the Police headquarters, which took place on November 24th, 2 days after JFK was killed. You can see copies of official documents, a ring belonging to L.H.Oswald, and the suit worn by Detective Jim Leavelle – the man portrayed in the video of the assassination of L.H. Oswald by Jack Ruby, leading Oswald out. At the time of writing, Texas-borne Jim Leavelle, borne 1920, is one of the few living primary witnesses of that dramatic episode.

Finally, the place where the old rifle used to fire at the motorcade from the window was found soon after the shooting, with Oswald fingerprints, has been reconstructed with the same accuracy of the firing position.

Parkland Memorial Hospital, Dallas

After the shooting, the motorcade accelerated keeping on the scheduled route (see map). It is noteworthy that the Trade Mart, where JFK should have had lunch, is not far from the Parkland Memorial Hospital, which is between the Trade Mart building and Love Field (see map).

President Kennedy and Governor Connelly were quickly drawn into emergency rooms, whereas soon-to-be-president Lyndon B. Johnson received medical attention in another area.

Officer Tippit’s Murder Scene, Dallas

Soon after he was spotted in the Texas School Book Repository minutes after the shooting, L.H. Oswald left for home. Initially caught in the traffic after taking a bus, he moved around pointlessly not far from Dealey Plaza, finally taking a cab to go home. He got off some blocks past his house, where he returned by foot (see map). He soon left, and at about 1:15 pm, 45 minutes after the assassination of JFK, he reportedly killed police officer Tippit in a quiet residential area. The place is marked by a placard (see map).

Lee Harvey Oswald was arrested less than an hour later, on account of Tippit’s murder. Only hours after his arrest, during the night of November 22nd, he was accused of the assassination of President Kennedy.

Texas Theater, Dallas

After shooting officer Tippit, Oswald left along Jefferson Boulevard, presumably walking to the Texas Theater. This movie theater, with a flamboyant front facade, used to be owned by Howard Hughes, and it was the first in Texas with air conditioning.

L.H. Oswald was arrested at about 1:50 pm, about ten minutes after he had entered the theater, 1 hour and 20 minutes after the murder of JFK.

JFK Memorial Plaza, Dallas

A monument to President Kennedy, designed by Philip Johnson, was erected in 1970 one block east of Dealey Plaza (see map). The monument, made of concrete, resembles an empty tomb.

Getting There and Moving Around

The JFK monument in Fort Worth is in a public park, as well as the JFK memorial in Dallas. They can be neared at all times.

Dealey Plaza is regularly open to car traffic, as you can see from the videos above. Parking is possible in the many public parkings around the area. Once there, you can move around freely at all times.

I drove along all the route of Kennedy’s motorcade, which except for a few closed roads can be done still today. Very nice indeed, as you will cross beautiful downtown Dallas. Of course, you can follow the route of Kennedy’s car in Dealey Plaza, as shown in the videos above.

The Sixth Floor Museum at Dealey Plaza is a world-class, up-to-date museum, and one of the most visited attractions in Texas. Website here.

Aalto’s Highlights in Finland

Possibly one of the worlds best-known architects from the 20th century, Alvar Aalto – together with his wife Aino, also an architect – enjoyed a great popularity since the beginning of his working career. He began with experimental works mostly based on mixing and harmonizing many styles from different ages and countries – especially Italy, a Country the Aalto couple visited for the first time during their honeymoon, and which they fell in love. In the last 1920s with the birth of the functional style Aalto became a herald of this new architecture, which he mixed with an instinctive and very personal vein, resulting in something really original and easily identifiable. Aalto’s creations usually feature a great care for any detail, making any room in his buildings natural to use for its intended function.

Aalto’s work is of course well represented in his Finnish mother country, a nation which always acknowledged him as a great artistic personality and which he never left for long.

This short post presents some of the highlights of Aalto’s production in Finland. While far from complete, the sites listed here may offer already an idea of the diversity of the functions of Aalto’s buildings.

Photographs were collected on a visit to Finland in August 2017.

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Sights

Villa Mairea, Noormarkku

Surely one of the best known creations of Alvar Aalto, this beautiful mansion was built in 1938 for the Gullichsen family, owner of a successful wood pulp business and paper factory. This was not the only work commissioned to Alvar and Aino Aalto by this family.

This residential building was designed in Aalto’s typical interpretation of functional-organic architecture. The great variety of the materials and the attention to all details both inside and outside is also typical to this architect, which in this case could work without any relevant budget constraints.

The mansion is immersed in a young forest, in the hilly countryside north of Pori, close to the western coast of Finland.

The front façade features a small covered porch leading to the door.

Access to the slightly overhead garden is through a pergola on the northeastern corner of the house. The garden features a large swimming pool, a fireplace and a dinner table.

The large windows can be removed completely to transform the large ‘double living room’ occupying most of the ground floor into an open space communicating directly with the garden and nature around.

The windows are pretty heavy though, and this technological feature was used only rarely.

Visiting

The villa is still property of the Gullichsen family, and sometimes used for vacation or party time by the owners. Tours are arranged through a local guide by permission of the owners on a semi-regular schedule. You will need to make a reservation through their website for visiting, picking one out of the available dates. Payment is due on the day of visit, credit cards accepted. Parking is possible close to the villa. Unfortunately, on regular tours it is not possible to take pictures of the inside, and only the ground floor can be visited. Anyway getting a view from inside will add value to your visit, so it is highly recommended. The guided tour of the inside takes about 45 minutes.

Finnish Glass Museum, Riihimäki

This beautiful museum traces the history of Finnish glass design. While not an ancient tradition in this Country, Finland has reached in the 19th and 20th century a great fame in this field.

A first part of the museum is dedicated to the evolution of the techniques for glass manufacture.

Then follows a huge collection of glass artifacts produced in Finland in various ages and for different purpose. Among them, there are also some very famous designs by Alvar and Aino Aalto, as well as other Finnish designers.

Visiting

The museum is a famous attraction and can be reached quite easily. All information here. The visit may take 1 to 2.5 hours depending on your level of interest. The sight of all those glass artifacts is captivating even for those with little interest for design and art!

Säynätsalo Town Hall

Another well-known masterpiece, the complex in the small town of Säynätsalo was built in the years 1949-52 to host the local town hall, a public library as well as some private business. Red bricks cover the exterior, which is articulated in two main buildings designed around an inner courtyard for pedestrian access.

The inside of the city hall building presents a series of smaller rooms on the main level, aligned along a corridor opening on the courtyard. Anything from the chairs to the door handles and lamps was designed by Aalto, making the ensemble really harmonious.

The upper floor is present only in a square-based corner tower, and here you find the main hall. It is very tall, but lighting is through narrow windows and together with the colors of wood and brick, it induces a sense of calm, warmth and concentration.

Visiting

Today the town hall is not used for this function any more. Actually there are some small businesses like a bistro and a bed and breakfast in it. Yet the place is preserved mostly as it was, and a good part of the main level and the former town hall can be visited. Visits are offered on a regular basis at least in summer. Website here.

Muurame Church, Muurame

The church of Muurame is one of the last ‘eclectic’ works of Aalto (1929), in an age when modernism was already spreading among avantgarde architects. The inspiration from Italian architecture is pretty evident, testifying on the close bond between Aalto and the Italian architectural heritage.

The location on top of a small hill is pretty suggestive.

Visiting

Not well signaled unless you come very close, the exact address is 7 Kirkkotie, 40950 Muurame. The place is only open for ceremonies. I was very lucky as I happened to pass by when a marriage was just going to be celebrated, so I could get a quick view of the sober, elegant interior. The exterior can be neared without problems all the time. Official website in Finnish here.

Jyväskylä

The town where Alvar Aalto spent his youth did receive much in return from its illustrious citizen. Surely one of the most prominent examples of social architecture is the main campus of the local University – today one of the three top-ranking educational institutes in Finland.

Several buildings were designed as the backbone of this campus between 1951 and 1958. The inspiration came again from classical architecture, especially Greece, as Aalto’s view was that of reproducing the basic plant of an acropolis. Among the buildings in the campus probably the most notable are the library and the teacher’s training school nearby.

A very nice scenery is constituted by the sports ground, with a series of low-profile buildings around it forming a really proportionate ensemble, like the stage of a theater.

Another notable building by Aalto is the city theater, completed after the death of the architect based on his design, and the former building of the Police department nearby, conceived to somewhat deceive the role of the institution making it look somehow less ‘martial’ than its usual function may imply. An older design close to the city center is that of the building of the Trade Unions, closer to the eclectic period of the designer.

Finally, a unmissable highlight in town is the Alvar Aalto Museum. Designed by the architect, it hosts a nice collection of prints, drawings as well as pieces of furniture tracing the evolution of Aalto’s style with many interesting details.

Jyväskylä benefits from a generally fortunate setting – here are some photographs of the lake and some new buildings in town.

Visiting

A visit to Jyväskylä with the museum and a walk along a trail touching all Aalto’s works may take from a half to a full day. A website suggesting a trail with links to the pages of the corresponding attractions is here. The University campus is still in use, like the theater and the building of the Police – today an office building. As a result, visiting the interiors may be tricky. Despite that, a walk in the campus and in the city center together with a visit to the Alvar Aalto Museum may fully justify a detour to this lovely town.

Rovaniemi

The town of Rovaniemi was totally destroyed by the retreating German Army in the closing stages of WWII – the so called Lapland War. As a result, construction work could be carried out without the constraints typically bound to the presence of an older neighborhood. Alvar Aalto was tasked with the design of a new city center, featuring a city hall, a theater – ‘Lappia-talo’ – and a public library.

The buildings were erected in multiple stages between the Sixties and the Eighties, after the death of the architect. The ensemble is very harmonious and nice to walk, not intimidating as mostly usual for similar buildings especially in the US.

A possibly more famous building in Rovaniemi – not by Aalto – is the Arktikum, built in 1993 and hosting some local museums.

Visiting

The civic center is still used for its original function. At the time of my visit it was closed for Sunday. A website in Finnish with information on the history of Aalto’s building in the northernmost region of the Country, including his works in Rovaniemi, can be found here.

Helsinki

Aalto’s contribution to Finland’s capital city has its most visible example in the Finlandia House, or ‘Finlandia-talo’ in the local idiom. This long and flat building is located close to the parliament and was built in 1971, among the last works of the architect. It is a ‘social event’ building, hence it hosts a theater, conference rooms and areas for exhibitions.

The inside is on two main floors. As usual with Aalto’s buildings, despite the size, which for the case of the Finlandia house can be appreciated from outside looking at the length of the eastern façade, you don’t feel disoriented nor overwhelmed especially once inside.

All details of the furniture have been designed with the building. Unfortunately, I could not visit the upper floor thoroughly for a congress was taking place there.

The building has a historical significance, for it was here that the Helsinki Accords involving the US, USSR and most European Countries of the time – including those belonging to the Soviet sphere of influence – were elaborated and signed in 1976, forcing an evolution of espionage and repression systems in communist Countries.

Further buildings by Aalto include the House of Culture – or ‘Kulttuuritalo’ -, inaugurated in 1958. It is composed of two main blocks with a theater and offices. The blocks are fused together by a covered passage and a low building with a connecting corridor, so they appear as an ensemble.

Originally built for the questionable cultural and propaganda activities of the local Communist Party, the complex has been used for long now as a popular rock concert venue.

An example of business architecture is the Headquarter of the Social Insurance Institution – known with the abbreviation ‘Kela’ in Finnish. The effort of the designer to avoid creating an imposing, bulky and intimidating building inspite of the narrow streets around, and the need to host rooms and offices for about 1000 people, is evident. The façade is broken and made partly modular, the height of the building is reduced as much as possible, and the horizontal lines of the windows tend to evidence the horizontal dimension. The volume is made lighter by including an open porch at the level of the entrance. The warm tones of the materials produce a sense of calm, yet preserving the sobriety of the appearance, where there are no decorations nor any curved line.

Visiting

The Finlandia House is located in central Helsinki and used for congresses, concerts and exhibitions. Having a walk around and inside is possible without particular restrictions except during official events. It is also possible to take a guided tour of the venue, information here.

Similarly, part of the House of Culture can be accessed most of the time without prior notice, but full visits are offered at least in summer on a regular basis. Information here.

As far as I know, the ‘Kela’ building is not open to the public, but it is possible to have a look around and come close to it without restrictions. The location is nearby the northwestern corner of the Olympic Stadium.

Paimio Sanatorium

Probably the best-known work of Aalto’s production, the hospital in Paimio is unanimously regarded as a milestone in the history of modern architecture. The hospital was built in 1933, and used as a sanatorium for tuberculosis and later as a general hospital.

Today it is a rehab center owned by the University of Turku, which is not far away on the coast and where Aalto had his studio. Visiting the inside is usually not possible, but you can walk around the complex without being disturbed. The location deep in the countryside, far from any crowded town and away from traffic, is really suggestive and peaceful.

The central building for patients is the most distinctive – a tall, flat and narrow wing where the rooms are aligned along a long angled façade looking south. The main wing is connected to other blocks – for surgery, administration, etc. – through a central volume where the entrance to the building is also located.

The complex of the hospital is completed by a series of residential buildings for the staff. These are small examples of residential functional architecture, not designed to be luxurious, and still inhabited today.

Visiting

As far as I know, visiting is not possible inside. The outside can be toured de facto, even though I guess the land around the hospital belongs to the hospital, so you’d better avoid attracting too much attention. The hospital is a bit tricky to find, cause it is not advertised as an attraction and it is well out of the village of Paimio. The GPS coordinates to reach the entrance are 60°27’53.0″N 22°43’54.4″E.