Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

A Few Remains of Nazi Grandeur in Germany

Architecture is possibly one of the disciplines where the ringleaders of the Nazi dictatorship invested most, for it provided a direct mean to display and impose their ‘new aesthetics’ to the German people and to foreign visitors from abroad.

The victory of the Allies in WWII wiped out the Nazi apparatus, but nowhere as in Germany did the new post-war leadership take the  deletion of all traces of the Third Reich so seriously. Even in museums of military history – there is an excellent example in Ingolstadt,  Bavaria, perhaps one of the most beautiful museums on the topic in Europe – there are just a handful of Nazi insignia. Swastikas, Nazi uniforms, weapons and memorabilia can be found to an incredibly greater extent elsewhere in Europe, especially in Britain, or in museums in the US. They are really also abundant in the countless exhibitions about the Great Patriotic War – WWII for Russians – in the former USSR, and generally beyond the Iron Curtain.

Concerning architecture, especially in Berlin many buildings of all ages were totally demolished as a result of US/British air raids, and during the last battle for the city opposite the Red Army. Similarly, the town centers of many larger towns were severely damaged. In the reconstruction process, little care was taken in keeping trace of this dark page of the German history, and the reborn downtown districts assumed in many cases a new face, where 1950-styled buildings shared the stage with medieval cathedrals and public schools from Bismarck’s time – pretty much nothing from the 1930s.

Yet of course some creations of Hitler’s architects have come to these days. Despite the evil ideology behind them, some are remarkable works of art, displaying a clear relationship with functionalism, typically found through various interpretations also in many realizations of great architects of the Thirties, in the US as well as all around western Europe. Examples are those buildings connected with infrastructures, like airport terminals or railway stations – much needed in the post-WWII period, and preferably restored instead of being demolished. More items of this kind survive than possibly of any other from Hitler’s era in todays German cities. A majestic example is the terminal of the now closed Berlin-Tempelhof airport.

Most of the surviving buildings hold a public function – like departments of the government or sport arenas. In a very few cases, buildings strongly connected with the devious ideology of the Third Reich have been preserved – albeit not greatly publicized – as museums. A first notable example is the complex around the Zeppelin Field in Nuremberg, with the unfinished huge congress hall for the conventions of the Nazi Party. A second one is the disturbing ‘spiritual center’ of the infamous SS in Wewelsburg.

This chapter collects a few photographs from these three places. Of course, it is far from a complete review of the architectural heritage of the 1930s and 1940s in Germany. It just provides an insight on a relatively unknown group of relics from Hitler’s era in Germany.

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Sights

Berlin-Tempelhof Airport Terminal

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Possibly the most complete and grandest example of Nazi architecture, the airport terminal of Berlin-Tempelhof is interesting both from an architecture standpoint and for its historical significance. The terminal was designed and built in the late 1930s and completed in 1941, greatly enlarging a preexistent construction.

At that time, nothing comparable existed in the world. The terminal is more than a mile long. It was built with a direct access from the land-side buildings directly to the long side of a narrow hangar on the air-side, which basically ran all along the terminal. Considering the small size of the aircraft of the day, this ‘hangar-terminal’ configuration could be exploited to simultaneously load and unload a high number of flights, with operations taking place directly in, or just outside, of a covered hangar. During WWII, parts of the hangar were used to manufacture military aircraft, exploiting forced laborers from a concentration camp prepared nearby for the purpose.

But the features of the terminal turned also extremely handy during the Berlin blockade of 1948-49, when Stalin tried to force his former western Allies to withdraw from Berlin by cutting off the western sector of the city. The western Allies set up the famous airlift, supplying the western sector with basically everything that was needed for a population in the order of a million, for 15 months! Tempelhof was the major airport in Berlin – the other being the British airbase in Gatow, near Potsdam – and laid in the American zone of the city. Thanks to its peculiar structure, it could manage the immense flow of goods flown in by more than 1’000 flights per day.

In the Cold War years, the airport was operated as a logistic base by the US forces. In the meanwhile, the construction of a larger airport – with a smaller terminal, but longer runways – was started at Tegel, and this was promoted to the main airport of West Berlin for civil air traffic. State flights still were operated in and out of Tempelhof, President Reagan’s Air Force One 27000 notably operating from Tempelhof on a famous state visit in 1982. After the German reunification the airport went on working as a civil airport, but the relatively short runways and noise issues led to its closure in 2008.

Sadly, today this glorious airport has been turned into another city park. It is rather difficult to use it for the scope though, as all the cement and asphalt of the apron, runways and taxiways are still there, there are no trees, and the terminal is an imposing presence on one side. Moreover, it is really a surplus for a city like Berlin, scattered with plenty of beautiful and immense green areas. The terminal building has not yet found a new occupation, and is basically a well-guarded ghost. Plans for reopening it as a convention center are apparently consolidated in 2022, but renovation works are going on still at very low pace.

Most recently, a small but well-designed, mainly pictorial exhibition has been located in the old terminal building, retracing with beautiful historical pictures, technical schemes and essential explanations the history of Tempelhof Airport.

Pictures from the year 2015 – but luckily not much had changed in 2022, the date of my latest visit – show the main building giving access to the terminal on the northwestern corner of the airfield still in a rather good shape. The empty parking ahead of the passenger entrance with nobody around gives a lunar aura to the place.

The neat lines of this part of the building deceive its actual size. From a former visit still in the days of operation – year 2006 – you can notice the roomy check-in hall, right beyond the main entrance.

Close by one of the glass entry doors you can spot a memorial to General Lucius Clay, the American mind behind the Berlin Airlift.

The grand perspective leading to the entrance is really an architectural masterpiece. Also noteworthy is a series of covered passages leading to lateral courtyards to the sides. These service passages are not visible when approaching the terminal from the distance, preserving the general sense of order without renouncing to the functionality of the construction.

There are two surviving marble eagles from Hitler’s time, on the front walls of the buildings to the sides of the main perspective.

The eagle head ahead of the parking is from the eagle sculpture originally standing on top of the main façade in Hitler’s times. That eagle was taken away after the capture of the city and the end of the war. The head went to the Army Academy in West Point, NY as a spoil of war, and was returned after the German reunification.

Moving along the wings of the building you can appreciate the size of the construction, really uncommon for Europe in the Thirties. The quality of all materials is also really striking. Their cost must have been really high.

To the extreme northeastern tip of the building you can spot some former radio installations, likely connected with air traffic control or military operations. From there you can get access to the former air side of the airport. At the time when the pictures were taken it was possible to walk around freely, but unfortunately not close to the hangar. Most recently, a branch of the Allied Museum in Berlin has taken responsibility for a preservation effort, and is keeping the place off-limits, opening it to the public on rare guided visits in German only – but I could not join in any of them.

There is also a historical propliner ahead of the iconic ‘Berlin Tempelhof’ sign on top of the hangar. Anyway, walking on the apron and runways produces a ‘history was made here’ feeling, and it is worth trying! Again, a few shots from the days of operation show the hangar from inside the terminal building. Historical pictures from local panels show the use of the hangar for the production of aircraft and technical parts.

As said, a recent exhibition of special interest for getting an accurate historical perspective, retraces the timeline of the airfield, since its pre-Third Reich era, through the colossal redesign in the shape we see today carried out in Hitler’s time, and down to the Cold War era, when Tempelhof had a crucial role in the Berlin Airlift, and was operated for long as a regular city airport.

Remarkably, in April 1945 the airfield fell in Soviet hands – since the Soviet Army conquered Berlin – and was later ceded to the US, following the Potsdam agreements in July 1945, which split the capital of the Third Reich in four sectors. It is likely Stalin regretted his own ‘fair-play’ concerning Tempelhof at the time of the Airlift, just a few years later…

A picture portraying general Keitel, in custody, arriving at Tempelhof to sign the instrument of surrender in the Soviet headquarters (see here) together with other top-ranking Nazi officers, shows a Lisunov Li-2 in the background. This was the licensed Soviet copy of the Douglas C-47. Also interesting the demolished German fighters found on sight by the conquerors.

The US, having taken control of the field, organized open-days for the general public once per year – reportedly, mostly appreciated by the local population.

Actually, the years corresponding to the sealing of the Inner Border (see here), from the Berlin crisis of 1961 (which saw the construction of the Berlin Wall) until specific accords partially reopening the land borders especially to Westerners in the early 1970s, were those of the most intense activity for Tempelhof – reaching West Berlin was more convenient by flight. But soon after, the better infrastructure of Tegel, with longer runways and less surrounded by high-rise buildings, took over most of the airline connections to Berlin. Tempelhof went on hosting state flights, general aviation flights, and commercial flights to a lower scale. There was also a permanent presence of US Army forces.

Evoking pictures include one with Willy Brandt greeting general Clay, and much later, President Reagan and the First Lady on a state visit in 1987. In another, you see one of the former Third Reich top-ranking staff Albert Speer – who also contributed to the design of Tempelhof – leaving for Western Germany by flight, following release after serving a long sentence in the prison of Spandau. He had been sentenced in Nürnberg.

The closure on grounds of noise issues, as noted, left the infrastructure unused for some years. Plans for re-opening as a convention/exhibition centers have been prepared as of 2022, and partial updating works are being carried out.

Getting there and moving around

The former airport is not far from downtown Berlin, around 3 miles south from the Brandenburg Gate in the former western sector of the city. Access to the terminal is from Tempelhofer Damm. Parking is possible along this major alley, or on the many roads around the airport – parking is rarely a problem in Berlin. Be ready to walk though, as usual when touring an airport.

Access possible also with public means of transportation. The front terminal can be easily reached from the U6 stops ‘Platz der Luftbrucke’ or ‘Bhf Paradestrasse’. Access from the east is easier from the U8 stops ‘Boddinstrasse’ or ‘Leinenstrasse’. There is finally an S-bahn station on the southwestern corner of the airfield – ‘Bahnhof Tempelhof’ – where U6 meets with several S-bahn lines.

My last visit to the place dates back to 2022, and as the area was undergoing renovation with a consolidated plan for changing its role and shape – and some works having started in the southernmost part of the terminal building.

Anyway, at the time of this visit the terminal was closed to the public, with limited chances to visit inside on guided tours. The only chance to access the terminal is for the small – yet totally recommended – photo exhibition. The latter can be reached to the left of the main facade of the terminal building. Website with contacts and timetables here.

Touring the exterior is possible on your own, and there are also a few descriptive panels along the perimeter. There are multiple entrances to the former air side, which is a public park with many people around.

Nazi Party Rally Grounds, Nuremberg

Nuremberg is an ancient imperial city in the heart of Germany, taken over as the symbolic capital of the ‘new kingdom’ by the theorists of the Nazi doctrine, due to its historical significance in German history. This town became the focal point of Hitler-led Nazi Party (NSDAP is the acronym of the party name in German language) well before the fateful general elections of 1933, when Hitler was elected chancellor of the German Republic. Among the activities of the NSDAP since the Twenties was a yearly rally, where for a few days all sections of the party met in Nuremberg for a series of group activities, including political speeches, commemoration of the fallen soldiers of the German wars, sport, camping, dining, etc.

In the years preceding Hitler’s raise to power, these rallies took place in the Luitpoldhain Park, to the southeast of the town center. The park had at its center the Hall of Honor, a memorial to the soldiers of German Wars, erected at the end of the Twenties. Today, leaving behind some construction works carried out by the NSDAP in the 1930s – including a massive Luitpold Hall and a tribune, today completely demolished – the place has regained its commemorative function, and is still used as a nice and sober city park. Yet historical photographs of Hitler celebrating the fallen German comrades ahead of the very monument you can see today produce a strange feeling.

In the years of the dictatorship, the rallies turned into a megalomaniac ostentation of power, with hundreds of thousands participating in the reunions. Correspondingly, the area involved in these parades was greatly enlarged, and a plan was made to realize a group of dedicated buildings.

The most famous of them, thanks to the historical movies of the parades recorded at the time, is the Zeppelin Field. This was a parade ground designed from scratch by Nazi architects. The white tribune with the huge swastika on top, in the background of an immense, perfectly ordered and disciplined public, crowding the arena and listening to the voice of the Führer, is one of the permanent symbols of the Third Reich monstrous machine. Actually, the same tribune is the subject of another very famous movie, where the swastika is blown up with dynamite after the capture of the city of Nuremberg by US troops, marking the end of the Nazi rule in Germany.

The tribune and the constructions along the perimeter of the Zeppelin Field underwent major post-war deconstruction works, as the area came to host a car racing circuit and later a rather minimal sporting ground. What remains of the building is still rather massive, yet the top colonnade is gone, and as of 2016 the place looked little guarded and partly abandoned – eventually making it even grimmer! You can be on the exact podium where Hitler stood in his golden days admiring his evil creation.

The final and most prominent part of the plan is the congress hall of the NSDAP. Like most of the gigantic construction project for the area, this building was never completed, yet it reached a rather advanced state of completion. It is a U-shaped, three floors building, clearly inspired to the ancient Roman architecture. It should have been the building for the congresses of the NSDAP.

Today, this is the only preserved building of the complex, and hosts an extremely interesting museum and documentation center on the history of the Nazi Party and of the rallies. Really an interesting insight in the aesthetics of Hitler’s era and in the strange history of this strange political movement, which has been instrumental in shaping the face of todays Europe – and possibly of the world. Surely worth visiting.

A somewhat off-topic note, yet fitting in this chapter, concerns the hall of the Nuremberg Trials. These post-war trials were held in Nuremberg soon after the end of the war, mainly because of the significance this city had gained for the NSDAP. The courthouse, used as such also under the Nazi dictatorship, survived the war rather undamaged. Today, it is home to the Memorium, a very interesting museum documenting the trials from an anecdotal perspective, as well as from a more elevated viewpoint, describing its significance for international law – it was the first time an international conflict ended up in a trial.

Besides the museum, which is mainly centered on panels and photographs, you can see the famous Courtroom 600, where the trials took place. This was a bit altered since the years of the trials, yet some peculiar features, like the artistic doors, are exactly those you can see in the famous video recordings from the time.

Getting there and moving around

The area of the NSDAP rallies can be found about 2.5 miles southeast of the historical district of Nuremberg, Bavaria. It can be conveniently reached by car, or with public transport. Tramway line 8 departs the central railway station and has several stops in the area of interest. The S-bahn station ‘Nurnberg-Dutzenteich’ is 0.3 miles from the congress hall.

Today the area is mainly green, with much room for relaxing with a good walk. There are some explanatory panels with maps outlining the scheme of the Nazi master plan, including the buildings which were actually erected, those which were later demolished, and those which were just planned.

The centerpiece is the museum ‘Dokumentationszentrum Reichsparteitagsgelände’, in the unfinished congress hall. Despite the distance from downtown Nuremberg, this is a major attraction for foreign visitors, hence the museum is prepared for large crowds. Visiting is possible with an audio-guide in many languages, and it is really worth the time and price. Website here.

The Memorium Nuremberg Trials, is hosted in a still active section of the Courthouse and is conveniently reachable by car of with the U-bahn U1, stop ‘Bärenschanze’, about 1 mile west of the historical town center. It can be visited on a self-guided basis, with audio-guides in many languages. This exhibition is really well designed and very interesting, and may take a couple of hours for a complete exploration. Yet due to the relative absence of tangible ‘hardware’ it may turn out unbearable for smaller children. Website here.

Spiritual Headquarter of the SS, Wewelsburg

The castle of Wewelsburg is connected to one of the most obscure aspects of the Nazi ideology – magic practices. The castle was founded centuries before the advent of the Nazis. Soon after the rise to power of the NSDAP, the head of the SS Heinrich Himmler got fascinated by the triangular perimeter of the castle, which appears to point towards the North. This is nothing special for a normal mind, but the SS  were the treasurers of the German race culture, and they were trying all the time to establish a solid link between basically themselves and the ancient settlers of Greenland – the Thule people – described in some legends as the most ancient northern population. This was instrumental in sustaining that the world belonged to the SS, which had been there since before everyone else.

This apparently silly idea represented for this group of fanatics a sufficient motivation to trigger a world war, were they saw themselves as the leaders of a liberation movement, regaining a rightful control over Europe (just to start) to the German race, after centuries of undue occupation by other races.

Wewelsburg gained more and more importance as the Nazis started preparing for war. The northern tower of the castle was declared the center of the world, and the heart of the SS soul. The School of Wewelsburg represented the spiritual leadership of this military organization, which enjoyed a surprising independence – and an extensive budget – even in the suffocating bureaucratic apparatus of Hitler’s political dictatorship. As such, Wewelsburg came in the middle of a visionary master plan, where it had to be at the center of a circular construction with a radius of 1 kilometer. Construction works started on this project, satellite concentration camps for forced laborers being opened on site for the purpose. The work did not develop much though, due to the intervening war events and things evolving differently from the Nazi plans.

The castle underwent some modifications under the SS. It was generally refurbished to host regular reunions of the comrades of the School of Wewelsburg, with SS-themed furniture which can be seen in the local museum devoted to this incredible story.

Furthermore, the northern tower was largely modified inside, with two round rooms appearing one above the other on two levels. The top one was completed as the ‘Room of the Black Sun’. It is centered on a mosaic pavement with a swastika motif. A disk made of pure gold, disappeared after the war, represented the sun in the center of the pavement, and marked the very center of the world.

The bottom room is basically a crypt, receiving little light from the outside, and resembling a chapel. At the center of the room you can find a basin like in a baptistery. All around there are little stands, possibly provisions for thrones. On top of the vault, just beneath the sun in the top room, there is a rare stone sculpture of a swastika.

The real use of these rooms is rather mysterious. It seems likely that Himmler with the School of Wewelsburg wanted to create a kind of ‘elite of the elite’ in the SS. The crypt might have been a place for ritual initiation ceremonies, and the top hall a kind of meeting area for the group. Selected officials and intellectuals of the SS met regularly in Wewelsburg, but basically no documentation exists of the content of these meetings. Yet the well-known mental inclination and conviction of the components of the group, the symbolic significance of the Wewelsburg site for these people and the temple-like setup of the northern tower suggest some sort of esoteric ritual might have taken place here.

The area reportedly fell into disrepair soon after WWII, and even worse, conceived by some as the shrine of the still alive ‘spirit of the SS’, it rapidly became the stage of black masses, magic practices and satanic rites. To contain the drift, the top hall was turned into a Christian chapel and an altar was put in place. This was later removed when castle opened as a museum on local history, a youth hostel and more recently as part of a very interesting museum and documentation center about the SS.

Getting there and moving around

The castle of Wewelsburg is located on top of a cliff in the homonym village, about 8 miles southwest of the medieval town of Paderborn, immersed in a beautiful north-German landscape. It appears to be about 2 miles south of the Paderborn-Lippe local airport. The castle can be conveniently reached by car, parking available nearby the entrance.

There are several exhibitions, including a museum about the ancient history of the castle, a documentation center and museum on the SS, which provides access to the Northern Tower and its mystery rooms, and a space for temporary exhibitions – at the time of my visit, there was one on the racial aspects of Nazi ideology. All museum are very modern and extremely interesting. There is also a hostel right inside the castle.

The site is really interesting to visit and a good destination for a nice half-day trip for everyone. Yet despite the nice panorama and the pleasant 16th century architecture, the association of the castle with dark activities in the dark years of Himmler and the SS makes this castle mysterious and somewhat grim, adding to the experience.