Military Collections in Sweden – Second Chapter

Visiting southern Sweden offers many opportunities to dig into the rich military history of this beautiful Country in Scandinavia. As pointed out in the initial chapter on this topic (see this post), after centuries spent in assuring a stable and strong position in Northern Europe, often times with the help of a powerful military, Sweden managed to keep a neutral role in all major conflicts raging over the continent in the 20th century. While avoiding to openly taking the parts of any of the foreign contenders, in order to defend its territory and its neutrality policy, Sweden invested much in the development of national technology and in the military field.

This process was successful, resulting in a gallery of interesting and original industrial products introduced over the years, especially (yet not only) in the field of defense. Among the most tangible outcomes of this push, considering the years of the Cold War, are the unique Swedish school of aircraft design, culminating in the SAAB aircraft dynasty, as well as the establishment of factories manufacturing field weapons or land vehicles for all purposes, notably ranging from cars for everyday use to heavier armored vehicles, which are still in business today.

Of course, this development process profited from contacts with the West, especially Britain, France and the USA. For instance, in the post-WWII years, selected jet engines, missile systems or tanks were purchased from the West. Interestingly however, after the end of the Cold War, some surplus material of Soviet production, coming from newly opened borders, ended up in the inventory of the Swedish military. This reflects the often pragmatic philosophy behind procurement, usually adopted by the Armed Forces in this Country.

For those with an interest in the rich military history of Sweden, several collections can be found in the southernmost part of its territory, which is coincidentally the easiest to reach and visit from continental Europe. These collections, often actively supported by groups of enthusiasts, offer a glimpse of the technical and military tradition of this welcoming Country.

In this chapter, two of the most prominent museums in the area dedicated mostly to artillery are covered, with photographs taken from a visit in 2024.

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Sights

Hässleholms Museum, Hässleholm

The exhibition of the Hässleholms Museum merges a few thematic collections, gathered and carefully maintained by local groups of enthusiasts. The topics are mainly technical vehicles of the Swedish Armed Forces – including armored vehicles, field transport vehicles, trucks, field kitchens, jeeps, special purpose trailers, etc. – and vehicles for the fire brigade. In addition, the museum has on display weapons, technical gear and training material employed by the Army.

It is actually from here that the exhibition starts. Support material like transportable field kitchens, including one from WWII years, and a portable forge for processing horseshoes are on display, within nice full-scale dioramas portraying scenes from different ages.

Training material include medical material and a rig for simulating a reanimation maneuver on a human body. Further medical gear includes many items for field surgery, as well as a diorama of field surgery room set up in a tent.

A huge, super-interesting collection of training plates is on display – really rare in this size. Plates are typically employed for illustrating the assembly of mechanical systems (weapons, on-board systems of vehicles or aircraft, etc.), or to shortlist the basic characteristics of enemy vehicles. Most of these clearly date from the Cold War era, and refer to military material from those decades.

Original cases with figurines to recreate tactical scenarios, for operation planning or training purposes, make for an unusual display. Similarly, reviews and brochures covering topics of military interest, as well as vehicle recognition charts in Swedish language (in this language are also the training plates) are unusual items to find.

Some of the plates explain what to do in case of a nuclear attack, or one carried out with chemical agents. These plates are displayed together with protection gear, mostly gas masks, and antidotes – including an automatic syringe for injecting the neutralizing agent for nerve gas (atropine)!

Artillery weapons, like special grenades, shoulder launchers, and various types of mines and standard cartridges, are displayed as samples in convenient display cases.

Even a few fragments of the Third Reich battleship Tirpitz, sunken in northern Norway, ended up here – as well as in many other military museums in Scandinavia (see this post). These armor pieces have been employed for testing some type of ammunition. The thickness of this armor is always impressive!

A gallery of uniforms, including personal light weapons and technical gear (like skis or portable aiming devices) conclude this part of the exhibition.

The collection of military vehicles takes two adjoining hangars. It is particularly appealing for technically-minded people, since it looks like mechanics workshop, with a mixture of assembled and disassembled vehicles, allowing to see the inside, as well as the on-board sub-plants.

Armored vehicles on display are really many. Among the most massive are a Centurion battle tank, and a recovery vehicle for the same type. This highly successful British tank has seen extensive and prolonged use by the Swedish Army from the early 1950s to the 1990s, when it was phased out in favor of the German Leopard heavy tank. Depending on the variant, the Centurion was attributed several code-names in the Swedish inventory, namely Strv 81, 101, 102 and 104 (Strv standing for Stridsvagn, the Swedish word for tank).

Ahead of the tank, you can see its very power train, composed of the mighty Rolls-Royce Meteor, 27 liters V12, 650 hp engine, and the Merrit Brown Z51R transmission gearbox. The recovery vehicle is roughly as massive as the tank itself.

Close by the Centurion, another sizable item is the armored bridging vehicle Brodbandvagn 971 (aka Brobv 971), which is the Swedish inventory name for what is actually a GDR-designed machine! Looking for a bridging vehicle compatible with the weight of the Leopard tank, a relatively cheap alternative was found in the BLG-60 model, originally manufactured by the German Democratic Republic (GDR) modifying the blueprint of the Soviet T-55 tank, and later sold as surplus by reunified Germany. Roughly half of the 32-units batch got from Germany in 1999 is still preserved today in Sweden, including the exemplar on display here.

The bridge span is 20-m when deployed, and the top load is 50 tons (actually a bit short of the weight of a Leopard tank…).

Next, a rare sight here is the Rlpbv 4014 radio link armored track vehicle. Again, this was originally an East German tank purchased as surplus by Sweden. It was modified in that instance from the original Soviet design (named MT-LB) into a signal relay platform, supplied with parabolic antennas. The latter were removed from the tank upon retirement, which took place by 2011, together with all technical gear. Only a few machines were sold to Finland at the time, and the exemplar in the museum is the only surviving of this specific type in Sweden.

Close by are a Pbv 301 and a Pbv 302 armored and tracked infantry fighting vehicles, designed and largely employed by Sweden. Pbv 301 dates from the 1960s, and was superseded by Pbv 302, eventually manufactured in more than 600 exemplars during the Cold War and employed uniquely by the Swedish Army until retirement in 2014.

Bigger and heavily armed vehicles are interspersed with service vehicles, typically designed in Sweden, or propelled by Swedish engines. These include a trucks with cranes, field ambulances, technical wagons with tooling for repairs carried out in the field.

Motorcycles are well represented too, some of them with interesting side skis, installed for advancing on snowy terrain.

A rather unusual sight is a full-scale field bakery! This is composed of a trail to prepare bread dough, and a big bakery oven. This and similar components of military supply, albeit often overlooked, are actually crucial in real operations, just like field guns and armored tanks – a quote attributed to Napoleon actually tells ‘An army marches on its stomach’!

Smaller items on display in the same area include several types of engines, presented on transport cases, attached to testing rigs etc. These engines range from Volvo to some US manufacturers, and include marine engines, tank engines and gas generators.

Another highlight of the show is a Stridsvagn 103. An original Swedish design from the 1980s mostly intended for domestic supply in consideration of the characteristics of the Swedish territory, this tank is designed for a crew of three, but conceived to be optionally fully operated by a single crew. It is equipped with a blade to prepare a dugout, thus converting into a field cannon, and it is able to move in shallow waters. The only limitation is in the lack of a turret, which is traded-off for a better compactness and low-rising side section, which in turns makes this tank less exposed to enemy fire especially on uneven terrain, where chance of hiding is higher.

Beside the tank, it is possible to see the engine, and the corresponding tank-trailer and support vehicle, a tracked vehicle itself called Bgbv 82, and obtained as a modification of the Pbv 302 (see above).

Nearby, several technical vehicles, including trucks and trailers (some with provision made to carry skis!), can be checked out as well.

An interesting Swedish vehicle here is a tracked anti-aircraft missile launcher, model Lbrbv 701 manufactured by Hagglunds. The main weapon is the surface-to-air missile Robot 70. The aiming device is particularly prominent to the front of the vehicle.

An array of three anti-tank machines is presented next. The first is a tracked anti-tank missile carrier, named Pvrbv 551, and originally capable of carrying 8 anti-tank missiles, shot from a single barrel on top of the tank. The second is a wheeled vehicle, named Pvpjtgb 1111 and manufactured by Volvo. This still carries a 9-cm recoil-less gun, and it was supplied with 8 shots. The third is a Pvpjtgb 9031, an even lighter vehicle from the 1960s, featuring again a 9-cm recoil-less anti-tank gun.

A few tanks designed in Sweden conclude the display in the first of the two dedicated hangars. On the two extremes of the same row are a Strv 74 and an older m/38, aka L-60. The former was a light tank developed in the late 1950s by physically modifying older m/38 models (both types were manufactured by the Landsverk company in Sweden), and kept in service until the 1980s.

In between these two tanks are displayed a Strv m/42 and two exemplars of the self-propelled cannon m/43, respectively a tank-destroyer version (Pvkv m/43) with a prominent 7.5 cm anti-tank gun, and anti-aircraft version (Lvkv m/43), featuring a 40 mm twin-barreled anti-aircraft gun.

The second hangar has in store a rare Strv m/40, developed during WWII based on the m/38 (see above). All other vehicles on display are wheeled. These include the Tgbil m/42, a 4×4 armored transport. This vehicle is an impressive Swedish design (with several big names involved in the design) enjoying an incredibly long career, spanning from WWII to the early 21st century through several upgrades and modifications.

Another iconic Swedish design by Volvo is the TP21, an off-road personal transport vehicle, originating in the 1950s from the successful PV800 civilian series by Volvo.

Also in this area field kitchens are on display, together with trucks, tractors and other technical vehicles.

The final indoor component of this impressive collection is made of vehicles belonging to the fire brigade. The crucial role of firefighting was made even more complex back then, due the limited supply of pressurized water on the territory, as well as the use of wood as the basic material for construction, and of open fire for many more uses than today.

The earlier vehicles are mostly carriages or cars converted for carrying small pumps, evacuation ladders and water hoses.

More modern vehicles on display are mostly US-designed types (Ford, Chevrolet).

The collection in Hässleholm is completed by a few items sitting outdoor. These include a Volvo P210 transport van, a red Hägglunds Bandvagn 206 – a marvelous and very successful multi-purpose, all-terrain tracked transport (see also this post) – and a Brobv 941, a bridge-layer vehicle introduced in the 1970s and in service until the end of the Cold War to support operation of the tank units of the time.

All in all, this museum is an unmissable stop for those in search of an insight on the history of artillery and military technical production of Sweden.

Getting there and visiting

The museum is located on the eastern side of Hassleholm, a peaceful village in the southernmost region of Sweden. The exact name and address is Hässleholms Museum – Norra Kringelvägen 9, 28141 Hässleholm. Large parking on the inside apron. There is a little cafe inside, and a little shop. Visiting might easily take about 2 hours for an interested subject, reading the documentation and taking pictures.

The website, in Swedish language, but pretty self-explanatory at least for the most relevant visiting information, can be found here.

Artillerimuseet i Kristianstad, Kristianstad

The Museum of Artillery has been established in the southern town of Kristianstad, for roughly two centuries the home of the A3 ‘Wendes’ Artillery Regiment. This was originally formed in 1794, and stationed permanently (partly or entirely) in Kristianstad since 1815 until 1994, with disbandment following in the year 2000.

The collection is physically hosted in a few low-rise buildings and depots. Most of them are accessible on a self-guided base, where a couple of them can be visited only on a guided tour.

The building where the ticket office is has on display some interesting communication equipment, including encryption gear, retracing the history of military communication in Sweden from the end of the 19th century to the full span of the Cold War.

Most of the consoles are made in Sweden, but some made by Nokia, Philips or Siemens are similarly on display. In the same room the history of grenade construction is illustrated, through relevant specimens of shells and cartridges.

An adjoining building is employed for gatherings by veterans, sympathizers and preservation groups, and usually showcases an annual temporary exhibition. At the time of my own visit in 2024, the theme of the exhibition was the combat-readiness in Sweden, from WWII onward.

The other buildings are former depots, and offer a wide range of artillery pieces and military vehicles, covering the history of artillery warfare in Sweden.

The artillery pieces on display in a first depot are from the 19th century. They include some very interesting one-of-a-kind exemplars, for example a French cannon from Napoleon’s army! The iconic ‘N’ mark of the French Emperor is still intact on top of the barrel.

Another interesting item is a rocket launcher, made in Sweden from 1832, and cloned from an earlier British model. This early system, well ahead of its time as a concept, was not satisfactory in terms of field performance, thus it was phased by 1846. Additionally, an early multi-barreled gun from 1875 has been restored by volunteers to an almost pristine condition.

An experimental recoil-suppressing gun carriage, with a prominent metal spring integrated in the structure, is on display along with many pieces which allow to appreciate the gradual improvement in the technology of field guns over the 19th century.

The exhibition on artillery pieces is continued in another depot, mostly with horse carriages, needed for the movement of artillery, as well as with position artillery. The big calibers here, mostly made in Sweden, offer a very complete display of the catalog of guns employed for defense. Typically too heavy for quick repositioning, the purpose of this type of gun was that of defending fortresses or coastal positions.

Moving on to the last two depots, these deal mostly with the Cold War era. In a first one, artillery technology from the Cold War era is on display, including guns, as well as tons of technical devices for aiming, communicating, taking field measurements, etc.

Among the artifacts on display is an original camera for reconnaissance troops, as well as incredible traces of an espionage operation! You can see two maps of the same location, one released by Swedish authorities, the other by the Soviet Union. The latter is clearly way more accurate than the former, when it comes to describing a site of military interest, undisclosed on the Swedish map. Based on the date of the Soviet map, the espionage activity must have taken place in the early 1960s, at the height of the Cold War.

A diorama displays a reconstruction of an entrenched observation post.

Two adjoining dioramas reproduce a fire control post and a gun emplacement for a 10.5 cm howitzer. This design from 1940 saw action well into the 1960s and the Cold War, which is the time of the gun emplacement diorama. Notably, a muzzle velocity measurement system is mounted on the cannon.

Measuring atmospheric conditions in the field is an often overlooked component of artillery action, but it is actually crucial when good precision is required for a hit. Especially when a cannon is capable of hitting way ahead of its muzzle, a good knowledge of the state of the atmosphere – including wind intensity and direction, as well as the temperature and other properties of air – between the cannon and the target is totally relevant for accurately computing the trajectory and hit point of the shell. For example, a substantial error of some hundred meters on a hit may result for a shell travel of 20-30 km, typical for a high-performance field cannon of the Cold War, even for a mild wind below 10 knots.

An aiming system PE07/R based on a radar and a balloon with onboard sensors is on display, intended for the 10.5 cm howitzer.

A much more modern weather radar and fire control station for the Bofors 15.5 cm FH77A field gun can be similarly checked out. Dating from the 1970s and the early digital era, this original Swedish system offered improved range (almost 20 km) and accuracy with respect to all previous models.

Two exemplars of the FH77A gun are on display as well! The cannon had a good maneuverability and autonomy of motion. It could be transported on longer distances coupled to a Scania 411 truck, also on display.

In the same room are a French 15.5 cm cannon, acquired in the 1950s, and a much older Krupp 21 cm howitzer. The latter, a German design from 1917, represents the top caliber ever pressed into service by the Swedish artillery, and saw action in Finland, where it was leased out during WWII (see this post).

A bit of an outlier here is a diorama of a cavalry charge from the 19th century – which is however impressively well-crafted!

The last depot is especially lively in the summer, when vehicles mostly preserved in fully working conditions are taken out on the apron! Anyway, the depot is also interesting as a static display, with many well preserved items, all formerly in service with the Swedish armed forces.

These include first a full range of motorbikes, some of them today rather sought-after classics! They are notably of different makes, including British makers like BSA, Triumph and AJS.

A self-propelled, tracked 15.5 cm cannon, listed as Bkan 1A in the inventory of the Swedish Army and made by Bofors in 1965, stands in front of an older m/43 self-propelled gun, from 1943.

A PBV 301 armored transport and a Caterpillar bulldozer frame an interesting Radiobandvagn 203B. This articulated tracked vehicle resembles the Bandvagn 206 (see above), but it was manufactured by Bolinder Munktell, Sweden. It dates from 1967, but the Volvo engine looks like brand-new!

A US-made Dodge T214, a highly successful machine produced in more than 250,000 units, is on display in its original late-1940s Swedish camouflage. Sweden acquired more than 200 of these utility vehicles from a surplus deposit in France, after WWII.

An example of Pvpjtgb 9031, with its distinctive recoil-less anti-tank cannon, and a Pbv 302 (see above), are on display alongside many military transport vehicles, mostly made by Volvo.

An interesting item is a gas generator designed by Ford, yet bearing Swedish labels, hence likely intended for the Swedish market. This device could employ wood or charcoal to produce gas, which when suitably processed through heat-exchangers, can be employed to run an internal combustion engine. In an emergency situation, like when facing a shortage in oil supply, this type of device can be profitably employed to propel vehicles. This was a rather widespread option during WWII. Bulkier designs can be employed for running larger piston engines, e.g. for electric power production.

On the apron between the depots, more vehicles and guns can be found. Some of them are typically recovered under a roof in the winter, to be taken out in the good season. These include perfectly working examples of a Volvo TP21 military transport (see above) – a predecessor of the modern XC90 SUV! – and a massive Volvo HBT artillery tractor. This half-track vehicle was based on a German design. It was built in Sweden in roughly 100 units, and employed for transporting troops, as well as cargo, including cannon trailers or self-propelled cannons. The speed of each track is controlled together with the direction of the front wheels by the pilot’s yoke, allowing for an easier steering action.

Finally, a few more guns are on display outside, including a rare m/1946 multi-barreled cannon made by Bofors, and even a Soviet 12.2 cm gun m/1932-1937, largely employed within the Soviet Bloc, from Stalin’s era to the 1990s, and donated by a Czech artillery collection to the Artillerimuseet.

Getting there and visiting

The Artillerimuseet can be reached at the address Köpingevägen 86-30, 29163 Kristianstad, which corresponds to a nice countryside location, roughly 3 miles south of the small center of Kristianstad. Access is via a short unpaved road, and the parking area inside is very convenient.

The place is run by knowledgeable volunteers, mostly former military staff. A visit of what is described here, which corresponds to what you can see on your own without a guide in the good season, may take about 1.5-2 hours for an interested person.

Please note that the cashier accepts only cash (possibly other forms of electronic payment available for Swedish residents). The website (mostly in Swedish) with full information is here.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.